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Comparison to Eastern philosophies

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description: Similarities between Spinoza's philosophy and Eastern philosophical traditions have been discussed by many authors. The 19th-century German Sanskritist Theodore Goldstücker was one of the early figur ...
Similarities between Spinoza's philosophy and Eastern philosophical traditions have been discussed by many authors. The 19th-century German Sanskritist Theodore Goldstücker was one of the early figures to notice the similarities between Spinoza's religious conceptions and the Vedanta tradition of India, writing that Spinoza's thought was "... a western system of philosophy which occupies a foremost rank amongst the philosophies of all nations and ages, and which is so exact a representation of the ideas of the Vedanta, that we might have suspected its founder to have borrowed the fundamental principles of his system from the Hindus, did his biography not satisfy us that he was wholly unacquainted with their doctrines... We mean the philosophy of Spinoza, a man whose very life is a picture of that moral purity and intellectual indifference to the transitory charms of this world, which is the constant longing of the true Vedanta philosopher... comparing the fundamental ideas of both we should have no difficulty in proving that, had Spinoza been a Hindu, his system would in all probability mark a last phase of the Vedanta philosophy."[107][108]
Max Muller, in his lectures, noted the striking similarities between Vedanta and the system of Spinoza, saying "the Brahman, as conceived in the Upanishads and defined by Sankara, is clearly the same as Spinoza's 'Substantia'."[109] Helena Blavatsky, a founder of the Theosophical Society also compared Spinoza's religious thought to Vedanta, writing in an unfinished essay "As to Spinoza's Deity—natura naturans—conceived in his attributes simply and alone; and the same Deity—as natura naturata or as conceived in the endless series of modifications or correlations, the direct outflowing results from the properties of these attributes, it is the Vedantic Deity pure and simple."[110]
Spinoza's reception in the 20th century
Late 20th-century Europe demonstrated a greater philosophical interest in Spinoza, often from a left-wing or Marxist perspective. Karl Marx liked Spinoza's account of the universe, interpreting it as materialistic.[2] Notable philosophers Louis Althusser, Gilles Deleuze, Antonio Negri and Étienne Balibar have each drawn upon Spinoza's philosophy. Deleuze's doctoral thesis, published in 1968, refers to him as "the prince of philosophers."[111] Other philosophers heavily influenced by Spinoza include Constantin Brunner and John David Garcia. Stuart Hampshire wrote a major English language study of Spinoza, though H. H. Joachim's work is equally valuable. Unlike most philosophers, Spinoza was highly regarded by Nietzsche.
Spinoza was an important philosophical inspiration for George Santayana. When Santayana graduated from college, he published an essay, "The Ethical Doctrine of Spinoza", in The Harvard Monthly.[112] Later, he wrote an introduction to Spinoza's Ethics and "De intellectus emendatione".[113] In 1932, Santayana was invited to present an essay (published as "Ultimate Religion")[114] at a meeting at The Hague celebrating the tricentennial of Spinoza's birth. In Santayana's autobiography, he characterized Spinoza as his "master and model" in understanding the naturalistic basis of morality.[115]
Spinoza's religious criticism and its effect on the philosophy of language

Tractatus Theologico-Politicus
Philosopher Ludwig Wittgenstein evoked Spinoza with the title (suggested to him by G. E. Moore) of the English translation of his first definitive philosophical work, Tractatus Logico-Philosophicus, an allusion to Spinoza's Tractatus Theologico-Politicus. Elsewhere, Wittgenstein deliberately borrowed the expression sub specie aeternitatis from Spinoza (Notebooks, 1914-16, p. 83). The structure of his Tractatus Logico-Philosophicus does have some structural affinities with Spinoza's Ethics (though, admittedly, not with the latter's own Tractatus) in erecting complex philosophical arguments upon basic logical assertions and principles. Furthermore, in propositions 6.4311 and 6.45 he alludes to a Spinozian understanding of eternity and interpretation of the religious concept of eternal life, stating that "If by eternity is understood not eternal temporal duration, but timelessness, then he lives eternally who lives in the present." (6.4311) "The contemplation of the world sub specie aeterni is its contemplation as a limited whole." (6.45)
Leo Strauss dedicated his first book ("Spinoza's Critique of Religion") to an examination of the latter's ideas. In the book, Strauss identified Spinoza as part of the tradition of Enlightenment rationalism that eventually produced Modernity. Moreover, he identifies Spinoza and his works as the beginning of Jewish Modernity.[80] More recently Jonathan Israel, Professor of Modern European History at The Institute for Advanced Study, Princeton, has made a detailed case that from 1650 to 1750 Spinoza was "the chief challenger of the fundamentals of revealed religion, received ideas, tradition, morality, and what was everywhere regarded, in absolutist and non-absolutist states alike, as divinely constituted political authority."[116]
Spinoza in literature and popular culture
Spinoza has had influence beyond the confines of philosophy.
On the Chair's table in the Dutch Parliament, Spinoza's Tractatus theologico-politicus is one of three books, thought to be most representative of the beliefs and ethics of the Dutch people; the other two are the Bible and the Quran.[117]
The 19th century novelist George Eliot produced her own translation of the Ethics, the first known English translation of it. Eliot liked Spinoza's vehement attacks on superstition.[2]
In his autobiography "From My Life: Poetry and Truth", Goethe recounts the way in which Spinoza's Ethics calmed the sometimes unbearable emotional turbulence of his youth. Goethe later displayed his grasp of Spinoza's metaphysics in a fragmentary elucidation of some Spinozist ontological principles entitled Study After Spinoza.[118] Moreover, he cited Spinoza alongside Shakespeare and Carl Linnaeus as one of the three strongest influences on his life and work.[119]
The 20th century novelist W. Somerset Maugham alluded to one of Spinoza's central concepts with the title of his novel Of Human Bondage.
In the early Star Trek episode, “Where No Man Has Gone Before”, the antagonist, Gary Mitchell is seen reading Spinoza and the dialogue implies that Captain Kirk also may have read him as part of his studies at Starfleet Academy.
Albert Einstein named Spinoza as the philosopher who exerted the most influence on his world view (Weltanschauung). Spinoza equated God (infinite substance) with Nature, consistent with Einstein's belief in an impersonal deity. In 1929, Einstein was asked in a telegram by Rabbi Herbert S. Goldstein whether he believed in God. Einstein responded by telegram: "I believe in Spinoza's God who reveals himself in the orderly harmony of what exists, not in a God who concerns himself with the fates and actions of human beings."[120][121]
Spinoza's pantheism has also influenced environmental theory; Arne Næss, the father of the deep ecology movement, acknowledged Spinoza as an important inspiration.[citation needed]
The Argentine writer Jorge Luis Borges was greatly influenced by Spinoza's world view. Borges makes allusions to the philosopher's work in many of his poems and short stories, as does Isaac Bashevis Singer in his short story The Spinoza of Market Street.[122]
The title character of Hoffman's Hunger, the fifth novel by the Dutch novelist Leon de Winter, reads and comments upon the Tractatus de Intellectus Emendatione over the course of the novel.
Spinoza has been the subject of numerous biographies and scholarly treatises.[102][123][124][125]
Spinoza is an important historical figure in the Netherlands, where his portrait was featured prominently on the Dutch 1000-guilder banknote, legal tender until the euro was introduced in 2002. The highest and most prestigious scientific award of the Netherlands is named the Spinozaprijs (Spinoza prize). Spinoza was included in a 50 theme canon that attempts to summarise the history of the Netherlands.[126]
Spinoza's life has been honored by educators.[127]
In the sequel to Eric Flint's alternate-history novel, 1632, a Jewish man and his wife are killed during an attack on Amsterdam, leaving behind a less-than-year-old son. The identity of the child is quickly revealed to be the infant Spinoza himself.
The 2008 play "New Jerusalem," by David Ives, is based on the cherem (ban, shunning, ostracism, expulsion or excommunication) issued against Spinoza by the Talmud Torah congregation in Amsterdam in 1656, and events leading to it.[128]
In Bento’s Sketchbook (2011), the writer John Berger combines extracts from Spinoza, sketches, memoir, and observations in a book that contemplates the relationship of materialism to spirituality. According to Berger, what could be seen as a contradiction “is beautifully resolved by Spinoza, who shows that it is not a duality, but in fact an essential unity."[129]
Bibliography
c. 1660. Korte Verhandeling van God, de mensch en deszelvs welstand (A Short Treatise on God, Man and His Well-Being).
1662. Tractatus de Intellectus Emendatione (On the Improvement of the Understanding).
1663. Principia philosophiae cartesianae (The Principles of Cartesian Philosophy, translated by Samuel Shirley, with an Introduction and Notes by Steven Barbone and Lee Rice, Indianapolis, 1998). Gallica (in Latin).
1670. Tractatus Theologico-Politicus (A Theologico-Political Treatise).
1675–76. Tractatus Politicus (unfinished) (PDF version)
1677. Ethica Ordine Geometrico Demonstrata (The Ethics, finished 1674, but published posthumously)
1677. Compendium grammatices linguae hebraeae (Hebrew Grammar).[130]
Morgan, Michael L. (ed.), 2002. Spinoza: Complete Works, (Indianapolis/Cambridge: Hackett Publishing Company). ISBN 978-0-87220-620-5.
Spruit, Leen 2011. The Vatican Manuscript of Spinoza’s Ethica, Leiden: Brill 2011.

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