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Warne Marsh--Play music online

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description: Warne Marion Marsh (26 October 1927 – 18 December 1987) is an American tenor saxophonist. Born in Los Angeles, his restrained, cerebral playing first came to prominence in the 1950s as a protégé of ...

Warne Marion Marsh (26 October 1927 – 18 December 1987) is an American tenor saxophonist. Born in Los Angeles, his restrained, cerebral playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano, and earned attention in the 1970s as a member of Supersax.

Songs:

01 My Romance《A Ballad Alb..》8
02 Lennie's Pennies《Ne Plus Ultra》9
03 Without a Song《Marshlands》7
04 I Can't Give You Anyt..《A Ballad Alb..》2
05 223, East 2nd Street《Jazz from the ..》2
06 Excerpt《Warne Marsh》29
07 317 East 32nd Street《Ne Plus Ultra》5
08 Subconscious-Lee《Ne Plus Ultra》4
09 You Stepped Out of a..《Ne Plus Ultra》5
10 Touch and Go《Ne Plus Ultra》4
11 I Got a Good One for..《Marshlands》1
12 When You're Smiling《Marshlands》6
13 Ev'ry Time We Say G..《Marshlands》2
14 The Way You Look T..《Marshlands》1
15 I'm Getting Sentiment.. 《Marshlands》1
16 Little Willie Leaps《Marshlands》2
17 You Stepped Out of a.. 《Marshlands》1
18 Star Eyes《Marshlands》2
19 Two Part Invention, N.. 《Marshlands》6
20 Emily《A Ballad Alb..》1
21 Time on My Hands《A Ballad Alb..》1
22 How High the Moon《A Ballad Alb..》1
23 Spring Is Here《A Ballad Alb..》1
24 How Deep Is the Oce..《A Ballad Alb..》1
25 The Nearness of You《A Ballad Alb..》2

Click the second button to play music

Biography

Marsh came from an affluent artistic background: his father was cinematographer Oliver T. Marsh (1892–1941), and his mother Elizabeth was a violinist. Actress Mae Marsh was his aunt.

He was tutored by Lennie Tristano and, along with Lee Konitz, became one of the pre-eminent saxophonists of the Tristano-inspired "Cool School". Of all of Tristano's students, Marsh arguably came closest to typifying Tristano's ideals of improvised lines, in some respects, even transcending the master himself.[citation needed] Marsh was often recorded in the company of other Cool School musicians,[1] and remained one of the most faithful to the Tristano philosophy of improvisation – the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards. While Marsh was a generally cool-toned player, the critic Scott Yanow notes that Marsh played with "more fire than one would expect" in certain contexts.[2]

Marsh's rhythmically subtle lines are immediately recognizable. He has been called by Anthony Braxton "the greatest vertical improviser" (i.e., improvising that emphasizes harmony/chords more than melody).[3] In the 1970s he gained renewed exposure as a member of Supersax, a large ensemble which played orchestral arrangements of Charlie Parker solos. Marsh also recorded one of his most celebrated albums, All Music, with the Supersax rhythm section during this period.

Marsh died onstage at the Los Angeles club Donte's in 1987, in the middle of playing the tune "Out of Nowhere".[4] He left a widow, Geraldyne Marsh, and two sons, K. C. Marsh and Jason Marsh.

Though he remains something of a cult figure among jazz fans and musicians, his influence has grown since his death; younger players such as Mark Turner have borrowed from his music as a way of counterbalancing the pervasive influence of John Coltrane. Marsh's discography remains somewhat scattered and elusive, as much of it was done for small labels, but more and more of his work has been issued on compact disc in recent years.

A documentary is being made about him: Warne Marsh: An Improvised Life, directed by his eldest son, K.C. Marsh.
Discography

    Live In Hollywood (1952), Xanadu Records
    Music for Prancing (1957) with Ronnie Ball, Red Mitchell, & Stan Levey on Mode Records (re-released VSOP, 1995)
    "Live at Dana Point" (1957) Warne Marsh and Joe Albany live at the Galleon Room in Dana Point (released VSOP, 2005)
    Live at the Half Note (1959) with Lee Konitz & Bill Evans on Verve Records (re-released Jazz Lips)
    Crosscurrents (1977) with Bill Evans, Lee Konitz, Eddie Gómez & Eliot Zigmund on Fantasy
    Apogee (1978) with Pete Christlieb, on Warner Bros. Records, reissued by Rhino Records, 2003
    Sax Of A Kind (1983), Hot Club Records/Jon Larsen
    For The Time Being (1987), Hot Club Records/Jon Larsen
    Subconscious-Lee (1950) with Lee Konitz
        More Complete Discography by Jack Goodwin

With Joe Albany

    The Right Combination (Riverside, 1957)

With Clare Fischer

    Thesaurus (Atlantic, 1969)

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